the.applied.process.

wit. honesty. everyday ramblings.

The 50 Blind Dates Process

I’ve decided to embark on a journey of self discovery and inspirational writing. A few weeks ago, a friend of mine asked me if I’d want to go on a blind date because his friend was trying to set up her gay friend. At first I immediately thought: “no! pointless! I don’t even want to date as it is, much less a bunch of failed blind dates!”

But then I stepped back and thought: “hey! this might be a great idea!” And for some reason, at that precise moment, I randomly (or… I suppose in my case it’s not that random anymore, since my brain comes across too many random thoughts to the point where they’ve become predictable) thought about that Adam Sandler movie 50 First Dates.

Again, this is how my brain works: blind date + Adam Sandler movie + new blog + lots of potentially terrible scenarios that will definitely fuel my writing = jackpot!

And thus, the “50 Blind Dates Process” was born.

The premise is simple. I plan on going on 50 blind dates with men regardless of their age, race, profession, economical status, mental status, “gay stereotype”, penis size, preferred sexual role, health, political views, religion, ethics code, dress style, family background, long term goals, short term goals, IQ, diet, and love or hate for dogs, among other things.

After each date, of course an entry into this blog will register the experience.

I am going at this with no expectations whatsoever and open to anything and everything. I’m not looking for love, but if I find it, so be it. I’m not looking for sex, but if I’m hard and drunk enough, then maybe. I’m not looking for friends, but if one of them ends up being my best man when/if I get married, then I guess I’ll consider myself very lucky man.

Finally, I will definitely need help, so if you have any single (or not) gay friends, enemies, family members, acquaintances, neighbors, classmates, coworkers, or whatever, send em my way. I promise I’ll be nice, but honest. I will never reveal their name. At the end of the day, we’ll all have something good to read about.

Cheers, and bring on the whiskey shots (which I’ll probably be taking prior to meeting the first few eager souls).

Mala Noche – Review

Last night, after having a nice home cooked spinach fettuccine with faux meat sauce and a bottle of wine, I headed to bed in a serene buzzed bliss. As usual, I woke up about 5 hours later when the effects of my self induced coma wore off. I laid in bed restless, tossing and turning, wrestling the sheets, and constantly repositioning Nigel. After about 40 minutes of unsuccessfully trying to doze back off, I got up and went on facebook. Nothing exciting happens at 6:30 a.m.

I listened to music on youtube. Heaven’s “Another Night”. Amazing song. Amazing song writer. I googled Matt Skiba (of Alkaline Trio fame), and came across a really good interview in which he was talking about watching Lars Von Trier’s “Antichrist”.

Side note – This is how my brain works: another night – matt skiba – antichrist – netflix – gus van sant’s 1985 directorial debut “mala noche”. Why? makes as much sense to me, as being awake at 6:30 in the morning.

As usual, I went on rotten tomatoes and looked at the reviews for the movie: 94%. Not bad. I streamed it, laid the laptop next to me, and laid in bed watching. I have to admit, it was a strange choice. It is black and white, the shots are hard to follow, and if it wasn’t because I spoke Spanish, there would also be the language factor/subtitles. However, it kept me engaged for a good 45 minutes. Then I passed out. *Disclaimer: it wasn’t Mr. Van Sant’s fault, it was my own body refusing to stay up as the sun comes out*

I woke up at noon and finished watching the film.

I quite liked it. Shot entirely in Portland, where Van Sant lives, it is based on the autobiographical novel of the same name by Oregon based poet Walt Curtis. It tells the story of Walt (Tim Streeter), a gay store attendant, who befriends two illegal Mexican teenageres, Johnny (Doug Cooeyate) and Pepper (Ray Monge), who end up being the object of his lust. Him and his friend Betty (Nyla McCarthy) decide to invite the boys over for dinner. The boys have to leave early to meet up with a friend. During the car ride back Walt tries to pursue Johnny to sleep with him for $15. Johnny refuses, and runs to out to meet his friend. Pepper and Walt are left locked outside, so Pepper ends up spending the night at Walt’s and having sex with him. The rest of the movie delves into the complications of the relationship between Walt, and the boys. Language barriers, difference in age, social status, and race further fuel the complexity of the bonds formed.

The characters are all together likeable and somewhat relatable, as well as quite complex. From the “Mexican  dealing with machismo/homophobia issues, yet I’m having sex with a man for ‘money’ but at the end of the day I like it”, to the “suburban American male dealing with his own issues towards his sexuality and looking for ‘love’ in the wrong places only to end up getting emotionally and physically abused time and time again”, Van Sant explored the many subtle layers each one of them has.  The movie seems quite “real” and Van Sant’s way of shooting it is successful at setting the very odd/dirty mood that makes you want to stop watching, but keeps you glued to the screen.

Overall, the perfect movie to watch whenever insomnia strikes. And if you’re as lucky as I am, that happens rather often. No complaints. Glad to have subject matter to write about.

In case you were wondering, the longest word in the English language is…

the chemical name of titin (a giant protein that functions as a molecular spring which is responsible for the passive elasticity of muscle):

methionylthreonylthreonylglutaminylala
ylglutaminylprolylleucylglutaminylsery
lserylthreonylalanylthreonylphenylalan
rylglycylphenylalanylprolylvalylprolyl
lanylarginylaspartylglycylglutaminylva
nylleucylprolylglycylvalylglutaminylis
ylglycylarginylalanyllysylleucylthreon
llysylalanylasparaginylserylglycylargi
eonylasparaginylglycylserylglycylgluta
nylglutamylleucylleucylvalyllysylalany
asparaginylphenylalanylvalylglutaminyl
ylthreonylvalylarginylglutaminylglycyl
utaminylvalylarginylvalylthreonylglycy Read the rest of this entry »

The Black Party

Slightly intrigued and wanting to check something else off my imaginary bucket list, I decided to look into attending the legendary Black Party, a yearly gathering of NYC’s gay men at the Roseland Ballroom for a night of techno music, dark rooms, and little to no clothes.

I talked to a friend about it, and he was equally, if not more excited than I was. We convinced two more to venture on our adventure. We had our minds set. Come the night of Saturday, March 19th, 2011 we would march our way to West 52nd Street and see what the whole hoopla was about. As the day approached, I heard and read more and more about the event. It was as if I kept getting turned off and on simultaneously. “anonymous sex everywhere”, “people peeing on people”, “ecstasy”, “aggressive groping”, where they for real? I had to check it out.

As soon as I left work, and with the blessing of my coworkers, I rushed home to figure what I was going to wear. Originally, we had planned on wearing nice tuxedos and masks, but with the possibility of getting peed on in the horizon, I decided to ditch the tuxedo and go for something perhaps more “appropriate”. I pointlessly packed a bunch of clothes in my duffle bag, since I already resolved what I was going to wear, and headed to my friend’s apartment.

Earlier that night, I had decided I wasn’t going to get terribly drunk. Instead I would opt for beer here and there and keep it chill. I wanted to both remember the night, and have a fair judgment.

Upon arriving at my friend’s. I had a drink and we got dressed. I wore faux leather pants (as a side note, I had bought these pants a while ago in Paris, and had never worn them but I knew they would come in handy), combat boots, and black suspenders. As a final touch, I chose to wear a white t-shirt with a Robert Mapplethorpe-esque image of a bullwhip. Always better to overdress than underdress right?

At about midnight we headed to the venue. It was only a few blocks away. There was a long line of significantly older men lots of who were dressed in leather gear. I have to admit, I’m a sucker for a mature guy who’s rough around the edges. My eye wondered. The line moved steadily and quickly. We were inside in about 15 minutes. We were instructed to drop off our cellphones, and go downstairs if we needed to check in our garments. Indeed I was overdressed. A leather harness and a jockstrap would’ve sufficed.

We headed straight to the bar, picked up a beer each, and proceeded to explore. It was not very crowded. I had heard the party didn’t really get going till about 2 a.m. There was some contortionist show on one stage, then some slightly unimpressive aerial acrobats, and hideous techno music, which I’m sure I would’ve enjoyed had I not been sober unlike the rest of the attendees.

Earlier that day I had talked to a friend who mentioned he was going to DJ a side room. Since I was getting antsy and needed to pee, I went to relief my bladder and try and find him. Indeed it was a side room, right next to the dark room, through which I had to walk to get to where he was. I said hi, chit chatted for a bit, and told him I’d go find my friends and come back. He was playing way better music anyway.

I journeyed back through the dark room, which was getting more crowded, and loud with moans and grunts, and into the main room. One of my friends decided to leave. The rest of us walked back to where my friend was djing.

From there on, we pretty much stayed in that room, taking quick trips to buy more beer or water. I danced for about 4 hours. Saw men having sex with men having sex with men, porn stars, familiar faces, drugs (both legal and illegal), more sex, buckets and buckets of condoms and lube, even more sex, a light show, people into all kinds of fetishes, and even a room where you could get tested for STDs (because if we’re going to fuck senselessly we have to be responsible, right?).

Towards 4:30 a.m. I was getting tired. I hadn’t slept much the night before, and again, I wasn’t on drugs, or drunk for that matter, and I hadn’t nor was planning on participating in any of the “activities” there. Another one of my friends had already left, and the two of us who were still there decided that maybe it was time for bed. We stayed for about another hour, and then proceeded to pick up our jackets and cellphones. We were asked if we wanted a wristband to come back, as the event kept going till, and I quote the flyer, “Sunday afternoon”. No thank you. I need a few hours of sleep, and maybe some yoga to feel clean again.

I left the place with mixed feelings. Warm yet bitter, much like the alleged urine I was promised to have splashed on my pant leg. Will I be back? It’s not something that I’ll be waiting for next year, but if there are ulterior motives or a specific incentive, why not?

Bill Cunningham New York – Review

Bliss! Pure bliss!

Last Wednesday I migrated my derrier to 209 West Houston (the Film Forum), to meet my lovely friend Jenny for the premiere of Richard Press’s freshman directorial debut Bill Cunningham New York about fashion photographer/maverick trailblazer Bill Cunningham of the New York Times fame.

It is one of the most inspiring, beautifully directed, exquisitely shot, complex yet easy to digest, documentary I’ve seen in a while. To be honest, I vaguely knew who the man was, and I had no idea what an amazing life he’s lived. Richard Press did a splendid job at introducing the mysterious Bill to the rest of the world who might be clueless as to who this bike ridding octogenarian in a blue coat and a 35 mm camera hanging around his neck is.

For such a simple man, Bill’s world is complex. Press captures his daily life riding his schwinn around town, snapping shots of New York fashionistas on the streets, quarreling with his NY Times peers (to ultimately get his way),  interacting with his equally camp and venerable neighbors, trekking to other fashion capitals to snap even more shots of more women’s vêtements, indulging in the least haute of cuisines, and riding his bike yet a few more miles to ultimately end back at his modest, file cabinet ridden apartment at Carnegie Hall.

The documentary keeps you engaged from beginning to end. Bill is an entertaining persona and so is his supporting cast. Interviews with fashion staples like Anna Wintour, Kim Hastreiter, and Annette de la Renta, show that the fashion world has nothing but praise for a man who, despite many unsuccessful attempts from many a suitors, has never sold out and remains true to his vision: photographing clothes and the women who wear them regardless of who they are.

Aside from Bill’s career, Press also shows other aspects of Bill’s life, like his struggle with getting evicted from his apartment where he’s lived for many years, and receiving the title of Chevaliere de l’Ordre des Arts et des Lettres by the French Ministry of Culture, an award that has Bill looking terribly charming as he gives his acceptance speech in French. The documentary captivates in many different levels the whole 84 minutes.

Press is very respectful about the way he documents Bill’s life. The pivotal point, for me, comes towards the end of the film when Press asked two very personal questions to Bill, both of which Mr. Cunningham answers in an utterly professional manner. It is at this point that I was left speechless and in awe. If one is not in love with Bill by now, this moment would be the last push needed to be so.

I left the theatre, as I’m sure the rest of us did. Inspired. Delighted. Satisfied. And with a big smile on my face. This was true documentary excellence at its best.

Les Amours Imaginaires – Review

Les Amours Imaginaires (Heartbeats as it is known this side of the border) is the latest endeavor of Quebecois boy wonder Xavier Dolan. It is the story of two friends, Francis (Dolan) and Marie (Monia Chokri), who fall in love for the same blonde next door socialite of ambiguous sexuality, Nicolas, played by Niels Schneider. Without giving much of the film’s plot, as both friends fall deeper and deeper, this infatuation creates a strain on their friendship with each other, as well as their own personal self discovery.

Overall, the film is very entertaining and easy on the eye. I enjoyed it. However, upon post-film scrutiny, I did have a few issues with the way Dolan filmed it, and the tricks he used to make it subconsciously appealing. For example, there were a handful too many slow-mo scenes. I’ll be the first to say it: who doesn’t enjoy a good slow-mo scene with a superb soundtrack on the background? Guilty. But when they are as numerous as they are in this case, I couldn’t help but wonder if maybe Dolan, at his tender age of 22, might be a bit unexperienced to have more tricks up his sleeve.

Another matter that caught my eye (literally) was the color contrast and the intense hues used in anything from the sets to the wardrobe. Again, brilliant when used sparsely, which he failed to do. It reminded me of A Single Man, by freshman director Tom Ford, who also might’ve indulged himself a bit much in doing so. The technique works. And it works best when edited properly.

Props go to Monia Chokri, who is unbelievably attractive despite her “sad girl hopelessly looking for love and validation from men” demeanor. She looks ravishingly sexy in her 1960’s vintage outfits, makeup, and hair, and her je ne sais quoi attitude.  She manges to outshine both her costars. A complete standout.

The soundtrack itself was beautifully curated. From the trailer track Bang Bang by Dalida, to the upbeat Belgian party tune Exactement by Vive La Fête, to the hauntingly exquisite sounds of Fever Ray’s Keep the Streets Empty for me, it stands out on its own as well as compliments each scene entirely.

The film definitely deserves praise, as it has already received it, but not with a blind eye. Dolan is young, and there is no doubt he has talent. Talent that will surely get fine tuned with experience and time. I’ve yet to watch his directorial debut J’ai tué ma mère, which has also been highly celebrated, and thanks to Heartbeats I’m intrigued. I will definitely be adding it to my netflix cue (when it becomes available).

Hello world!

Although not my words (the title), that’s exactly how I felt today at 10:19 a.m. I’ve had an awakening. How long will it last? I hope a long time. It had been building up, and I’ve been having epiphany after epiphany. The best one? I think the name of this blog. I’ve been meaning to start a blog for a while now, but being the obsessive compulsive perfectionist that I tend to be, I couldn’t get myself to start it because no name was “good enough”.

Why “The Applied Process”? Because that is exactly what I plan to do with this blog. Record the evolution from not knowing exactly which direction to take, to turning all my talents and brain power into something worth my while, because ultimately, I have to please myself before I can please others.

Cheers. And let the unraveling begin.

– J.

 

 

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